I won’t deny that –initially– there is an underlying tension that renders some portions of the story to be gripping. The first opening lines propel us into what promises – and fails – to be an intriguing mystery.
My main reservation about this novel is that it switches tones too often: there is an unbalanced – if not jarring – disparity between the seemingly ‘dark’ components and the unbelievably ridiculous moments.
I initially thought the narration and story reminded me of Joanne Harris’ Gentlemen and Players but it never really holds onto its strengths. That book perfectly balances humor and drama. Lying in Wait does not. The narrator who is almost gleefully telling us about their ‘bad’ intentions loses all its appeal. There are scenes and monologues that are just oddly grotesque: they do serve the purpose of unsettling the reader but they lose their desired effect by repulsing us and by making us question the believability of their situation/words. What should be funny is so ridiculously lampooned that it just becomes irksome.
The satirization of ‘class’ is completely overdone. Comments about ‘oh dear, the unemployed’ or ‘we do not mix with them dear’ were more annoying than witty.
The appealing premise leads to a ludicrous series of events which on the whole lead to a pointless finale. Then again, the story serves no real purpose and delivers no real message. The characters are all inept and their naivety is just downright irritating. I know that the story is set in the 80s, but I refuse to believe that people were so gormless.
What could have been a compelling mystery filled with dark humor ends being an exaggerated parody of the genre.
My rating: 1 star
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