Review of Night Film by Marisha Pessl
★★★★★ 5 of 5 stars
“As much as some people would like to believe, for their own peace of mind, that the appearance of evil in this world had a clean cause, the truth was never that simple.”
Sometimes, if we are lucky enough, we ‘bump’ into one of those novels. Those novels that make us stay up late, be late for work, and ignore our friends. Night Film is one of those novels (for me at least). I didn’t merely ‘read’ this book, I lived it. I was thrust into an increasingly alluring and almost labyrinthine storyline, and the more I read the more I forgot my own surroundings. I was desperate to know the truth behind Cordova but I was also weary of what this truth was. I could hardly hazard guesses of my own because I was so swept away by the narrative . The closer I came to the end the more nervous I became.
This is the type of book that tests the boundaries between real and unreal, providing an incredibly atmospheric setting and a breath-taking plot. The use of different medias (journal articles, police reports, interviews, websites, photos) makes the reading experience all the richer.
The premise of the story is intriguing enough: the apparent suicide of the young daughter of a reclusive and mysterious film director sets in motion the investigation of a disgraced journalist. Did Ashley Cordova really kill herself? And if so, why?
Scott McGrath and Ashley’s father have some history. So, Scott’s search is initially sparked by a vindictive desire to shed some truth on Cordova. But what this truth is, it is hard to say.
Joining his investigation – and to his own displeasure – are Hopper, a drug-dealer who’d met Ashley years before, and Nora, a wannabe actress who ends up in possession of Ashley’s distinctive red coat.
The friendship between Scott and Nora is perhaps one of only wholly uplifting things of this novel. They have starkly different views and come from incredibly different places but they simply had that spark that made each of their interactions so entertaining and affective.
The people they encounter are rendered vividly trough both their dialogue and Marisha Pessl’s striking descriptions..
Another aspect of this novel that I really appreciated is its protagonist. Scott is hardly an all-round-good-guy. He is obsessed on Cordova, tends to disregard other’s opinions, and often considers others in rather stereotypical terms but, I think he does so because he is a writer, so he enjoys dramatizing what he see and observes. While his motivations are not selfless, he shows that he can be caring and capable of questioning his own assumptions.
The last section of this novel is almost delirious trip (to where nightmares are made). There is a crescendo of confusion and strangeness that is stressed by the narration itself. While I found the ending infuriatingly abrupt I also feel that it was the only way this novel could end. As much as I craved for a neat ending that would tie all loose ends, it was inevitable that Night Film would end the way it did.
A stunning novel that will remain with me for a long time (hopefully Cordova won’t make a cameo in my dreams…)