For a book published in the 90s The Kitchen God’s Wife comes across as strangely outdated. And I guess in spite of Tan’s writing—which is far from mediocre or incompetent—I could not look past the fact that her story was the antithesis of female solidarity.
At first I was taken by Tan’s storytelling. The first 40 pages or so, those that take place in the ‘present’, were enjoyable. We learn that Pearl, a woman in her thirties, has always had a difficult relationship with Winnie, her mother. Some of this is due to generational and cultural differences but, as we soon learn, both mother and daughter have kept secrets from each other. When Winnie’s sister-in-law Helen/Hulan announces that she can no longer keep silent about their past, Winnie is forced to recount her many trials and hardships to her daughter. This is where the novel lost me. I find this kind of cheesy melodrama meets misery porn to be exceedingly frustrating. Winnie is basically Cinderella or the classic Mary Sue: 99% of people around her use her and abuse her. Every female character, with the exception of Grand Auntie Du, is cruel, vain, stupid, ugly, and or ungrateful. Winnie, on the other hand, is an angel. She is not like other girls. She endures and she suffers because she has aspirations to martyrdom.
Given that she is recounting past experiences directly—ie we get a 1st pov—you would think that at one point or another Winnie could express uncertainty over the accuracy of her memories or wonder if others recall things differently. But no! She keeps insisting that ‘this is what happened’ and that Helen is a liar who remembers things wrong. And, speaking of Helen, rather than painting a complex and fraught friendship, Tan presents us with the goody two shoes Winnie and the ugly, stupid, and venal Helen who is not only a horrible friend to Winnie but a lousy human being.
Anyway, Winnie recounts her tragic past: her mother abandons her, she is shunned by her wealthy father and raised by cartoonishly wicked relatives. In relating these experiences Winnie alway makes a point of emphasising her inherent goodness and beauty, often by making little digs about women’s failings. Winnie ends up marrying a horrible man who possess only vices. Her reminded me of the ‘bad’ men from The Giver of Stars and novels by Kristin Hannah. Personally, I prefer more nuanced characters. Tan also often conflates a characters’ physical appearance with their personality—so if one has an ugly character they will be indeed ‘ugly’ on the outside—which feels a tad…old-fashioned? Maybe it would be more suited to a novel dated from the 19th century than the 1990s.
The only sections that were somewhat interesting and whinging-free were the ones that stuck to facts. For example, when Tan writes details statics and about the Sino-Japanese War (as opposed to Winnie’s own experiences in it). When she writes of Nanking I felt much more horrified and moved than I was by anything related to Winnie.
Sadly, Winnie’s narrative is more intent on dissing on Helen than anything else. Here are some the lovely things she says/thinks about Helen: “Her mouth dropped open to let this thought come in and nourish her brain. I was thinking, Good, even though she is uneducated, she is quick to learn something new.” / “She was plump, but not in that classical way of a peach whose pink skin is nearly bursting with sweetness. Her plumpness was round and overflowing in uneven spots, more like a steamed dumpling with too much filling leaking out of the sides. She had thick ankles and large hands, and feet as broad as boat paddles. ” / her hair was “lumpy” / she had no sense of fashion, none at all.” / “a simple country girl”.
And Winnie goes on to tell Pearl that: “I am not being critical in remembering her features just because I am angry with her now”. Sure hon, go on and keep lying to yourself. Winnie never takes any responsibility. Everything is and or always was all Helen’s fault. Helen is ugly inside and out, “she broke harmony between us. I tell you, that day Hulan showed me her true character. She was not the soft melon head she made everyone believe she was. That girl could throw out sharp words, slicing fast as any knife”. And of course, “She’s the complaining one, not I”. I’m not so sure about that one Winnie…the story ended up being less about domestic abuse, war, and survival, then a woman going on and on about how her ‘supposed’ friend is a trash human being.
I swear, every few pages, Winnie would say something such as: “Who is the better cook? You see! I am not boasting. It’s true. ” / “You know what I think? When Jiaguo got his promotion, Hulan gave herself a promotion too! In her mind, she was more important than I was. ” / “She was always unhappy until I was the same level of unhappy as she was.” / “You would think Hulan would remember those hard little cakes, and then put a few coins, or maybe some food, into the beggar girl’s bowl, which is what I did. I’m not saying I did this all the time. But Hulan did not do this even once. Instead she put more food into her own mouth. She added fat onto her body the same way a person saves gold or puts money into a bank account, something she could use if worse came to worst.” / “So you see, I think it was some little river crabs Hulan wanted to eat in Changsha. That’s what made us sick. It stayed in our bodies and broke out one day.” / “She will probably tell you it was instant true love. Maybe for him. But I think she was being practical”….and I cannot stand this lousy portrayal of female ‘friendship’. Women, with the exception of Winnie, are catty and fake. Men, with the exception of Winnie’s Chinese-American second husband—are stupid, cowardly, or abusive sadists.
Other girls Winnie encounters also receive a similar treatment to Helen’s one. Winnie sometimes pretends to be nice (claiming that she didn’t hate a woman before stressing how selfish or unkind that woman was) but, in actuality, she is anything but. She describes a girl she dismisses as “stuck-up” as having “red as a demon’s” eyes. Her first husband’s new wife is not only “bossy” in both attitude and appearance but “stupid” (“You see how stupid his new wife was?”). Winnie also makes some weird comments about Burmese and Cantonese people, seems to relish the idea that Peanut, yet another cruel/vain girl, “who used to pride herself on the paleness of her skin. And now she was almost as dark as a Cantonese!”.
And yes, sure, Winnie suffers. Her husband is a monster with no redeeming qualities and with the exception of Grand Auntie Du and her American-born husband…well, everyone else is bad news.
I dislike this kind of ‘girl-on-girl hate’ and the whole Winnie=Cinderella thing was annoying.
Thankfully, I bought my copy of this book in a second-hand shop (then again, I will never get back the hours I spent reading this). While I wouldn’t recommend this novel to anyone in particular I’m aware that Tan is an extremely popular writer so….maybe it’s just me.
my rating: ★★☆☆☆
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