“I saw my mother raise a man from the dead. It still didn’t help him much, my love, she told me. But I saw her do it all the same. That’s how I knew she was magic.”
I was hooked by Libertie’s opening paragraph. Set during and after the American Civil War Kaitlyn Greenidge’s novel is narrated by Libertie the daughter of a Black female doctor. As the child of a free-woman Libertie is born free at a time when slavery was yet to be abolished. But whereas Libertie’s mother, who is a light-skinned woman and was able to study medicine by ‘passing’, Libertie herself is dark-skinned, and because of this experiences both racism and the prejudices of those who are ‘colorstruck’. Cathy, although not a demonstrative mother, clearly cares about Libertie and has trained her since a young age in the medical arts. But, as Libertie discovers, some conditions and or people cannot be cured. When one of her mother’s patients, a man Libertie had grown fond of, fails to recover, Libertie begins to question her mother’s abilities and grows increasingly disillusioned by her profession. Sensing her daughter’s detachment, Cathy enrolls Libertie at Cunningham College in Ohio where she will be the only female medical student. Libertie, who by this point had already begun to chafe against her mother’s expectations, is far more drawn by the music department, and in particular, by the voices of Louisa and Experience, also knows as the Graces.
“Music at night, music after dark, music finding its way to you across sweetgrass, can feel almost like magic.”
Libertie longs to belong to them, but, in spite of her attempts to form a friendship with the Graces, the bond between the two women is impenetrable. Greenidge’s articulates Libertie’s loneliness and yearning with lyric precision. It was easy to understand and sympathize with Libertie, her wish to be free of other people’s visions of who she should be. We also understand how complex her relationship with her mother is: having grown without a father or other relatives Cathy is everything to Libertie.
I found this first half of the novel to be but poignant and engaging. Greenidge does not shy away from discussing the realities of slavery, racism, colorism, or sexism. Yet, her narrative does not dwell on pain and suffering. There are many moments of beauty and empathy, and I found Libertie’s voice to be utterly captivating.
The latter half of the novel is where things get a bit messy. Libertie becomes entangled with Emmanuel, a young man from Haiti. While their first interactions had both chemistry and potential, their romance happens way too fast. Libertie’s feelings toward Emmanuel aren’t clearly addressed, which was weird since up to that point readers were privy to her innermost feelings and or thoughts. And then, bam, all of a sudden Libertie is in Haiti with Emmanuel and things there take a vaguely Jane Eyresque turn.
While the descriptions of Haiti, from its history to its physical landscapes, were vivid, and there were many thought-provoking discussions on religion and culture, I remained unconvinced by Libertie’s motivations to move there. I wish the story had kept its focus on her and Cathy or her and the Graces, as I did not really feel the ‘love’ between her and Emmanuel. Their relationship was rushed and once in Haiti it never truly develops or progresses. His family drama steals the limelight, and although it did allow the narrative to touch upon some compelling issues, I just could not bring myself to believe in Libertie or Emmanuel’s motives. Cathy’s presence is relegated once more to letters that Libertie chooses not answer. The finale was both predictable and left a few too many questions unanswered.
Nevertheless, I truly enjoyed Greenidge’s writing. I found that the inclusion of poetry, music, and fragments from Libertie/Cathy’s letters added a layer of depth to the story.
While I wasn’t blown away by the latter half of the novel nor its conclusion I would still recommend this as it is written in lyrical prose and it presents readers with a nuanced mother-daughter relationship while also delving into America’s history, racism, colorism, sexism, grief, and, as the title and heroine’s name suggest, freedom.
ARC provided by NetGalley in exchange for an honest review.
my rating: ★★★½
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