Although I have not yet read anything by Bernardine Evaristo I am so grateful to her for bringing about this Black Britain: Writing Back series (which re-issues 6 titles by Black British authors). If it hadn’t been for Evaristo, I doubt I would have come across The Fat Lady Sings, a criminally overlooked modern classic. Jacqueline Roy’s novel provides an eye-opening look into mental health in Britain: set in the 1990s in London the novel is narrated by two Black women who have been diagnosed with mental illnesses and sectioned into a psychiatric hospital. The setting of course brought to mind Girl, Interrupted but style and tone-wise it seemed closer to Everything Here is Beautiful.
The narrators of The Fat Lady Sings have starkly different voices. Born in Jamaica Gloria, the title’s ‘singing lady’, is now in her forties and grieving the death of her partner, Josie. Because she occasionally breaks into a song and or starts skipping instead of walking she is deemed mentally ill and forced into a psychiatric ward. Here, she grows irritated by the inefficient staff and doctors, who resort to overmedicating their patients or shaming them for not making ‘progress’. Yet, despite her circumstances, Gloria is unwilling to be less of herself and I truly loved her for it: she was funny, observant, strong, and empathetic.
The other chapters are narrated by Merle. Whereas Gloria’s narrative is full of life and awareness of her circumstances and new environment, Merle’s narrative is far more fragmented, her voice often drowned out by other voices. These voices describe what is happening and what has happened to her, but they do so with vehemence, belittling her, calling her slurs, blaming her for everything little thing. Merle’s chapters once again brought to mind Everything Here is Beautiful as they provide an unflinching glimpse into someone diagnosed with a mental illness. According to the hospital, Merle is in the ward because she suffered a psychotic breakdown. Yet, their attempts to help her seem at times to be more harmful than not. It is Gloria who begins to really see Merle, and the bond between these two women was truly heart-rendering to read.
During their time at the ward, they are made to do ‘exercises that require them to talk or write about their past, and through these, we learn more about Gloria’s early life and Merle’s childhood and marriage.
First published in 2000 The Fat Lady Sings is not only stylistically innovative but discusses all too relevant issues (mental health, race, sexuality) and I hope that thanks to Evaristo it will find its audience. In spite of the harrowing depiction of mental health and sexual abuse, The Fat Lady Sings is not without its moment of joy and beauty. Roy renders the vulnerabilities and strengths of her characters with nuance and empathy. Like some of the best novels out there The Fat Lady Sings made me sad, it made me laugh, and, more importantly, it made me think. Not an easy read but a truly wonderful novel that I look forward to re-reading.
my rating: ★★★★☆
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