Summer Sons is very much a vibes-driven novel that would not exist without Maggie Stiefvater’s The Dream Thieves. From the aesthetics permeating the story to the combative & codependent character dynamics, Summer Sons share a lot of similarities with that book. Lee Mandelo’s older cast of characters however allow for them to employ an edgier tone, one that at times reminded me a bit of Leigh Bardugo’s Ninth House (both mcs have spend most of their respective narratives chasing paranormal shit, to the detriment of their academic, getting repeatedly emotionally and physically bruised and pissing off ppl left and right). The first time I approach Summer Sons I ended up dnfing it. While I do agree with some of my initial criticisms I think this second time around I was able to just ignore the few bumps along the way and just let Summer Sons take me for a ride.
Written in snappy prose Summer Sons follows Andrew, who is in his early twenties and is about to begin a graduate program at Vanderbilt where he will be joining his best friend and (adopted) brother Eddie. Their bond is very much of the codependent variety, as the two were irrevocably bound together by a traumatizing childhood experience that has left them with, in the case of Andrew, some unwanted abilities. But then, just before their long-awaited reunion, Eddie commits suicide leaving behind a grief-stricken and confused Andrew. Eddie left everything to him, including a ridiculous amount of money and a house in Nashville (roommate included). Andrew moves there, but he couldn’t really care less about his studies. He is determined to find out what happened to Eddie. He is immediately suspicious of and antagonistic towards Eddie’s former roommate, Riley, and his cousin, Sam. Andrew is jealous of the time they spent with Eddie and is reluctant to reveal anything about his past or his intentions to them.
The first half of the novel has very little if no plot going on. I mean, things are happening but they mostly consist of Andrew feeling unwell, hitting someone, getting hit, getting drunk, getting high, ignoring his uni inbox, and making wild speculations about what happened to Eddie. He does have a few meetings with his advisor and tutor, but for the majority of the first half of the novel it’s more about the very charged dynamics between Andrew and Sam, and to a lesser extent, Andrew and Riley. There is a party or two, some drag races, and buckets of toxic masculinity. The chemistry between the various characters more than makes up for the lack of, shall we say, plot. The author also explores Andrew’s very intense relationship with Eddy, capturing the duo’s power dynamics.
I appreciated how thorny Andrew is. He is so careless about his own well-being that he engages in some pretty self-destructive behaviours. He is also repressed af, and struggles to reconcile himself with the possibility that his love for Eddy may have not been strictly platonic. And of course, his attraction to Sam complicates matters. And yeah, there was something about them that definitely reminded me of Ronan & Kavinsky, except not quite as messed up, as here both Andrew and Sam embody what I can best describe as an exceedingly Ronan-esque chaotic energy. I liked the realistic way Andrew responds to the queerness of this group of friends, and that it takes him time to truly allow himself the possibility of being attracted to men.
To exacerbate his alienation are recurring nightmarish visions of death and rot. Eddie’s phantom is stalking him, resulting in periods of dangerous dissociation. Riley and Sam claim they want to help but Andrew. being the hard-ass he is, is not so sure about letting anyone in.
The latter half of the novel has more to do with his amateurish sleuthing, as Andrew is forced to confront the likely possibility that what occurred to him and Eddie as children has something to do with Eddie’s death.
We have old family curses and blood rituals, eerie visions, and disturbing occurrences. Additionally, Mandelo dedicates time to critiquing how insular colleges are as well as the elitism and racism that pervade the academic world.
I liked the uneasy relationships the characters have with one another, and that Mandelo holds their main characters accountable for their past and present actions without writing them off as ‘bad’.
There were a few things that I wish could have developed differently. The paranormal element had potential but was implemented in an inconsistent and in some places sparse way that ultimately does it a disservice. I liked how it remains largely ambiguous but it could have been amped up in quite a few instances. Also, in the scenes where this paranormal element comes to the fore the descriptions could have been more vivid. It would have been nice to learn more about haunts/revenants or other spooky occurrences that Andrew & Eddie may have experienced after ‘it’ happened. Similarly, it would also have been nice to have more of a background about their childhood and teenage years (their relationship with Andrew’s parents, their high school days, etc..). We know about their tattoo and their ‘shared’ gf (who thankfully speaks up about being used and tossed aside like a toy) but very little about anything else. In some ways it makes sense since they were each other’s worlds, so everything else would barely register, however the complete lack of presence of Andrew’s parents was felt.
The resolution to Eddie’s death was too derivative, especially within the urban fantasy genre. She who shall not be named did that a few times in her series. Maggie Stiefvater subverts this trope by making readers, but not our main characters, aware of who the ‘antagonists’ are. Barudgo also does it in Ninth House, but in a far more twisty way than Mandelo. Here instead that finale seemed vaguely formulaic and entirely too predictable. That the ‘villains’ lacked a certain ‘oomph’ factor also made that last action rather lacklustre. I do think that at the end Andrew gets a bit too much of the blame for how things went down with the villain. The boy is an asshole sure. But he was just trying to find out the truth and how could he have possibly predicted that things would go down that way?!
The writing had a certain fanfiction-y quality but I found myself really enjoying it (so we have a lot of growling, flashing teeth, dangerous expressions, an overuse of ‘the boy’ instead of the characters’ names). The prose was snappy and intentionally edgy which makes for highly engrossing storytelling. I do wish that the author had reigned in on the more anatomical descriptions of his characters. There are whole paragraphs dedicated to describing whose leg is on whose ankle or how someone’s hand is dangling or touching somebody else’s body part). Yeah, in a way these add a certain sensual element that makes these scenes really pop, but there were moments where they ended up sidelining the actual storyline or drawing attention from the dialogue. There were also way too many random highfalutin words dropped in for no reason (such as ‘cadre’) and they had the same energy as me during my first year as an undergraduate student using archaic terms for no reason other than to make what I was writing sound clever (but i just ended up with some seriously jarring phrases).
Despite these criticisms, I did like Summer Sons. Andrew is a tortured and somewhat impenetrable character that is equal parts frustrating and lovable. Mandelo articulates Andrew’s inner conflict without resorting to cliches or moralisms. The interactions between the characters seamlessly alternate from being funny and entertaining banter to more heated and tense confrontations. The friendships and the romance we see develop between Andrew and others really make the book. I loved how the author is able to dedicate a lot of page time to Andrew’s unresolved and complicated relationship with his sexuality but also present us with some very casual lgbtq+ rep (we have a trans character, a positive portrayal of polyamory, and a character who uses they/them pronouns makes has a cameo appearance). The pining and sexual tension between Andrew and Sam were chief’s kiss.
I’d love to read more by this author (maybe something with wlw characters…? or just more girls in general cause i don’t think this book would pass the bechdel test test..at least in trc we have the women of 300 fox way).
If you like spooky summer ya novels, like Beware the Wild, The Wicker King, Wonders of the Invisible World, or the gritty aesthetics of urban fantasy series like Holly Black’s The Modern Faerie Tales, Summer Sons should definitely make it onto your tbr pile. I look forward to whatever Mandelo publishes next and I can definitely see myself re-reading Summer Sons.
ps: i did think it would have been nice for mandelo to mention in their acknowledgements stiefvater as her series clearly inspired this book.
my rating: ★ ★ ★ ½