Circa had the potential of being an immersive and compelling read. Sadly, the structure and length of the narrative do the story no favors, as the final product ultimately struck me as formulaic in a-MFA-program type of way. Sure, Devi S. Laskar quite effectively utilizes a 2nd pov, which is no easy feat. Beyond this stylistic choice, the novel doesn’t have a lot to offer. This is the kind of narrative that strikes me as being more interested in presenting its readers with a certain evocative style than introducing us to dimensional characters. The structure of the novel struck me as somewhat inconsistent. At first, it brought to mind books like All the Water I’ve Seen Is Running, Friends & Dark Shapes, and Another Brooklyn, in that it honed in on specific moments of Heera’s youth, but as the story progresses the narrative loses its atmosphere as it switches to a telling mode where it covers large swathes of time with little fanfare so that I felt at a remove by what Heera had experienced.
Circa is centred on Heera, ‘you’, an Indian American teenager who is coming of age in Raleigh, North Carolina during the late 80s. Heera hangs out a lot with siblings Marie and Marco, often in secrecy as her parents do not approve of her friendship with the Grimaldi children. Together they rebel the way some teenagers do, disobeying their parents, and sneaking behind their parents’ backs. Sometimes they steal from their parents or strangers, other times they do edgy eff society type of graffiti. Anyway, Heera is smitten with Marco, kind of. Eventually, something bad happens that changes their dynamic, and Marco reinvents himself as Crash, while Heera finds herself having to grapple between her sense of self-fulfilment and her parents’ desires. Should she go to college? Marry? Can she or does she want to do both? The author does highlight the limited possibilities available to a woman, specifically a woc, at the time, juxtaposing her path to Crash’s one. Sure, the author does provide an all too relevant commentary on the American Dream, stressing its elusiveness, and a poignant enough portrait of a family caught between generational and cultural differences, however, the whole Crash/Heera dynamic really was deeply underwhelming. Marie is very much a plot device, someone who is used as a source of trauma for Heera and Crash, someone who is supposedly meant to make their bond all the more complex…but she was so one-dimensional and served such a disposable function in the story that I really felt like she wasn’t a character, let alone a rounded person. Crash seemed the male version of a pixie girl, not quite as extra ‘that’s literary me’ type of guy (who is thinks he is the narrator from fight club or the joker), more of a vanilla sad-meets-bad boi. Heera in many ways is rather a passive presence, and I was unable to understand her obsession with Crash, let alone believe that the two shared an intimate bond. I think the story is at its best when it hones in on domestic moments, in particular in Heera’s interactions with her parents or when exploring the tension between her family and the Grimaldi. I think I would have liked this story to have solely focused on familial and platonic relationships, rather than going for this wattpad type of romance (‘i can fix him’…come no). The latter half of the novel strays into melodrama, with quite a few characters disappearing because of actual reasons and or no reasons. A whole portion of Heera’s story is delivered in such a rushed and dispassionate way that it really pulled me out of her story.
Given the premise, I was hoping for something with more oomph. The ‘crucial’ event isn’t all that important in the end, as the distance between Crash and Heera could have easily happened without that having to occur. The ‘betrayals’ mentioned in the summary lead me to believe in a story with more conflict, whereas here the will-they-won’t-they relationship between Crash and Heera brought to mind the milquetoast straights-miscommunicating-or-having-0-communication that dominated in much of Normal People. I think it would have been more effective if the author had either opted for a longer and slower-paced storyline (which would have allowed her to expand certain scenes, rather than just relating important moments in a couple of sentences, and made the characters more rounded) or if she had fully committed to a snappier snapshot-like narrative (a la What We Lose or Ghost Forest). I mean, this wasn’t a bad read but it is the type of book I will forget about in a few weeks or so.
If this book is on your radar I suggest you check out more positive reviews out.
my rating: ★ ★ ★ ☆ ☆