With its strong sense of place and dynamic dialogues Bluebird, Bluebird makes for a solid Southern Noir, one that will definitely appeal to fans of crime authors such as Walter Mosley, Dennis Lehane, and S.A. Cosby. Bluebird, Bluebird follows Darren Mathews, a Black Texas Ranger. After helping out a friend in need Darren’s job as a Ranger is now on the line. He and his wife are on a break as she is tired of his devotion to the Rangers and believes that he should instead become a lawyer. Darren is fully aware of the faults within his department—from racial profiling to brutality and corruption—he has a strong sense of justice and seems determined to make a change. A friend of his convinces him to look into two recent murders in Lark, a rural and predominantly white small town. In less than a week, two bodies washed up in the bayou: first, a Black lawyer from Chicago, and then a 20-year-old local white woman. Darren’s presence in Lark causes quite a stir as Lark’s law enforcement and its residents aren’t keen on ‘outsiders’, especially those who ask too many questions and seem determined to uncover long-buried secrets. Darren knows that this was a racially motivated murder and is determined to solve the case, even at the cost of his own safety.
Bluebird, Bluebird was an engrossing and deeply atmospheric whodunnit. It has some hard-boiled elements to it, snappy dialogues, and presents its readers with an incisive examination of race, justice, and belonging in a Southern state whose past and present are still marred by racial injustices. The author capture Darren’s inner conflict with clarity and empathy: on the one hand he loves Texas, on the other, he knows far too well how dangerous a place it is (over the course of the narrative Darren comes face to face with members of the Aryan Brotherhood). His character did fall a bit too neatly in the gruff noir detective who has a drinking problem and despite his not always amenable demeanour or actions, his heart is in the right place. The wife of the murdered lawyer also has a role in the story, that of an ingenue from the Big City who spends most of the time crying (falling into Darren’s manly arms) or screaming during gun shootings. To be perfectly honest, I could have done without her. Darren’s poor wife is a mere blip in the story, she gets two or three mentions but otherwise, her character is utterly irrelevant. Locke’s storytelling is great even if she does employ the dreaded “[He] let out a breath he didn’t know he’d been holding” which earns her a minus (i have come to loathe this particular phrase). But, thankfully, for the most part, her writing is definitely compelling. The descriptions about the bayou, the long seemingly deserted roads, and other Southern landscapes are incredibly vivid. The dialogues too, as I mentioned already, have this ping-pong quality that makes the book hard to put down. While Bluebird, Bluebird didn’t quite hit me the way Blacktop Wasteland did (if you haven’t read that novel and you are a fan of southern noir novels, do yourself a favour, read it) I still enjoyed reading it and I will definitely be checking out its sequel.
“Life is one long side street with about a million crossroads, Sorry used to tell me when I was a boy. Every hour, sometimes every minute, you got to make the choice which way to go. Some of them turns don’t matter but don’t let that fool ya. The minute you start to think that one way is just like t’other, that’s when the shit come down.”
Blood Grove is hard-boiled crime at its best. Walter Mosley’s smooth and level-headed narrator is a Black private investigator in 1960s LA. Easy is, excuse my pun, easy to root for. While Easy is close friends with some not so morally upright individuals, his integrity and empathy set him apart from other hard-boiled PI. The mystery is intriguing if labyrinthine, and I enjoyed seeing how things would unravel. Easy’s latest case is a knotty one. A young white veteran clearly suffering from PTSD claims he may or may have not killed a man who was attacking a young woman. Easy, who fought in WWII, feels sympathy towards this clearly traumatized young man and so begins his investigation.
Throughout the course of the novel, we encounter big and small crime bosses, racist and incompetent policemen, prostitutes with hearts of gold, and Femme Fatales. Mosley’s commentary on race, sexism, inequality, corruption, war, and violence felt at times all too pertinent to our own times (showing how some things change, and some things don’t). I found Easy’s unflappability reassuring and the inclusion of his home life (such as his bond with his daughter) made him all the more endearing. Not only does Easy’s narration have style but the crackling dialogues and vivid descriptions (“If a smile had a sound his would have been a death knell.”) make for some spectacular reading material. Also, for those wondering whether you have to read the previous novels in order to be able to appreciate this one, I, personally, did not have any trouble ‘catching’ on to things. Mosley doesn’t reiterate the events that occurred in the previous novels but he gives us an idea of who’s who. If you are a fan of Raymond Chandler, Dennis Lehane, or if you, like me, loved S.A. Cosby’s Blacktop Wasteland you should definitely read this.
Kenzie and Gennaro are hired by an incredibly wealthy – and dying – Trevor Stone to find his missing daughter. Things soon start to get complicated. Kenzie’s own mentor was looking for Desiree Stone and is now also MIA. Kenzie and Gennaro will venture from a shady Grief Counselling organisation, that is possibly connected to a religious cult, to sunny Florida. Money and the power that comes with it play a big role in this novel, and as the protagonists soon find out, money is a good motive. While Lehane does incorporate more affecting moments into his storyline – grief is a big theme of the novel – I found that this instalment was much more lighthearted that the previous ones. Horrible people do horrible things in this story but there was a ‘flashy-ness’ a dramatic aspect to their behaviour that undermined the seriousness of their actions. Still, while there were some high-end film-like scenarios, Lehane’s characters convey incredible realism: their dialogues and reactions ring true to life. I also deeply appreciated that we are shown that what happened in the previous novels has affected Kenzie and Gennaro. Their partnership is a vital aspect of this serious and I was happy to see how solid their relationship is, Deeply entertaining and fast paced, Lehane packs another suspenseful and highly-strung story.
“Guns, guns, guns. Three hundred and sixty degrees of pure violence.”
The thing about Lehane is that he can write bloody good thrillers. His gritty stories –reminiscent of hard-boiled crime novels– never fail to entertain. Moreover, he always, always, manages to surprise – if not shock– you. Kenzie and Gennaro’s investigation is full of well-paced twists and turns that will keep you on the edge of your seat. Like the other Kenzie & Gennaro novels, Darkness, Take My Hand has a great sense of place. The urban setting is vividly rendered through characters and the sharp descriptions of the narrator. Lehane’s observations are always nuanced, and while Kenzie might gives us the majority of the ‘picture’, all of the characters contribute to it. Lehane doesn’t elevate Kenzie’s opinions and intentions, in fact, time and again, he challenges the actions of his protagonist. The narrator is another of this series’ strengths. Kenzie’s wise-ass commentary is always engaging. However, in comparison to A Drink Before the War I think there is more serious, or more complex, tone to him, one that brings his character fully to life. This added depth is also found in all of the other characters. Lehane’s has an ear for dialogue and the little things that characterise different people; it might be the way they talk and or move, as much as their own backstories. Kenzie’s investigation never takes a predictable turn. From the very start we are given numerous factors that lead us away from what seems to be Kenzie’s main investigation, leaving us desperately in need of answers. Lehane shows interest in the psychology of criminals (fans of Mindhunter…read this): he does not give us easy answers, he is always fighting against the ‘good/bad’ morality. Gripping and suspenseful, this novel is brimming with dangerous characters and an intricate mystery. It is a fast-paced thriller full of sharp-witted dialogues and action set against a mobile backdrop that thrums with life.