The Raven King by Maggie Stiefvater

And so my latest TRC re-read has come to an end. What an outstanding series. Truly. I cannot even begin to articulate how much this series means to me and how much I love it.

In this finale, the stakes are higher than ever and a lot of things Stiefvater has hinted at in the previous instalments come to the fore. The Raven King makes for a bittersweet read. While Stiefvater’s delightful humor is still present, there are several scenes that are just brimming with sadness & melancholy. In a way, this mirrors the shift in tone and reflects how far the characters have come since their early days in TRC. That is not to say that they still don’t make mistakes or say the wrong things, but they have at least learnt how to communicate more with one another. Their experiences have made them more mature, and witnessing this ‘growth’ makes for such a rewarding experience.

With the exception of The Dream Thieves, which is pure gasoline, the other volumes in this series are characterised by a calmer pace. In The Raven King this too changes as the narrative is very much action-driven. Stuff just keeps happening and at times I missed the more tranquil pacing of TRC or BLLB. Still, I was very much hooked on the story. We get some great reveals and character development. Stiefvater’s storytelling is always on point, from the atmosphere she creates through the use of repetition to the vividly rendered setting of Henrietta (and Cabeswater, Monmouth Manufacturing, 300 Fox Way, the Barns)
As per usual, I adore the Gangsey. Gansey is going through a lot. While he’s certainly good at pretending that he’s control, there are various things that happen here that threaten his ‘everything is going swell act’. Adam is still learning more about his abilities but without Persephone there to guide him, he has to learn to trust his friends and himself. Blue’s reunion with her long-absent father is not particularly ideal as he refuses to talk to anyone. Ronan…my poor boy.
These characters truly are the heart of this series. I did find myself wanting more scenes of them together, and part of me resented that we get less of them in favour of introducing Henry. I like him, I do. I can tell Stiefvater cares for him and wants us to feel the same. The thing is, I would have preferred it if he’d been introduced earlier on in the series or if he’d played a more minor role. His presence in the narrative makes it so that we get less of Noah and less of Adam&Gansey or Ronan&Gansey…I also found myself missing the OG quest. In the previous books, Glendower is very much the goal and Gansey often talks about history and myths…here instead Glendower seemed an afterthought almost that only comes into play towards the end. But these things were fairly minor things.

A lot happens in The Raven King, so much so that we don’t really have the time to process some of the more heart-wrenching scenes (if you’ve read this you know). As I was reluctant to say goodbye to these characters part of me wishes that we could have had a longer epilogue…still, I’m extremely grateful to Stiefvater for what she has accomplished with TRC.
While TRK isn’t my favourite book in this series I still found it to be a fantastic read. I am in awe of this series.
I’m so happy that Stiefvater went on to write Call Down the Hawk and Mister Impossible. While the tonal shift may not appeal to all, personally, I think it really works in its favour.

my rating: ★★★★★

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Blue Lily, Lily Blue by Maggie Stiefvater

“This thing they were doing. This thing. Gansey’s heart was a gaping chasm of possibilities, fearful and breathless and awed.”

Blue Lily, Lily Blue is probably my second favourite book in TRC series. Bittersweet and magical Blue Lily, Lily Blue is a truly enchanting novel. Like its predecessors, this instalment in TRC series is characterized by Stiefvater’s spellbinding storytelling, her scintillating humor, and enthralling character dynamics.
Blue Lily, Lily Blue picks up from The Dream Thieves with Maura missing (‘underground’), and with tensions in the Gangsey still running high. Blue struggles to adjust to her mother’s disappearance and longs to be reunited with her. Gansey, who’s being visited by Malory, is, as per usual, trying to keep a good front (ie suppressing any anxieties/fears/‘negative’ feelings). Although his raison d’être is very much the same, that is to wake Glendower, his faith in his quest begins to waver, especially when his search proves to be different from the romanticised quest he’d envisioned.
Adam, well, the boy still very much believes he’s unknowable. This idea of himself as being unknowable is both a weakness and a strength. It isolates him from Gansey and the other members of the Gangsey and it also allows him to keep going and to accept himself as the hands and eyes of Cabeswater. Here he spends more time with Ronan who, unlike Gansey, has a rather questionable sense of right and wrong.
There is this paragraph that encapsulates this narrative perfectly:

“[T]hey were all in love with one another. She was no less obsessed with them than they were with her, or one another, analyzing every conversation and gesture, drawing out every joke into a longer and longer running gag, spending each moment either with one another or thinking about when next they would be with one another.”

While there are many storylines and events happening in Blue Lily, Lily Blue, the narrative is very much propelled by the ever-shifting dynamics within the Gangsey group. Stiefvater, unlike many other YA authors, doesn’t favour romantic relationships. They are there but 1) they are deliciously slow-burn 2) they don’t take precedence over platonic relationships (i mean, we have noah/blue, gansey/ronan, gansey/adam, and the iconic blue/ronan).
The intense, often fraught, friendship between the various Gangsey members is what truly makes this series. They misunderstand each other and or fail to express themselves, their fears or desires. Their uneasy bond adds tension to the narrative and makes me feel all the so-called ‘feels’. Surprisingly enough I also love the more secondary dynamics, such as the mentor-mentee bond between Persephone and Adam, or any scene with Mr. Gray and Blue, or even the less-than-friendly relationship between Orla and Blue (their bickering is gold).
Speaking of secondary things, the secondary characters are just as entertaining and vividly rendered as the central cast. I love that Stiefvater gives us chapters from the ‘antagonists’ pov, in this case, Greenmantle + Piper. We see how they very much view themselves as the ‘good’ ones’ or how they excuse or condone their questionable behaviour or how they don’t simply give af. They are also a great source of humor, especially as many of their scenes are set against domestic backdrops.

In terms of the actual plot, tis difficult to summarise. Stiefvater manages to seamlessly tie together various storylines, throwing in there plenty of fantastical elements, myths, historical allusions, and so much secretiveness.
As with the other volumes in the series, TRC also explores class differences and privilege, especially in the Gansey/Adam bond. Belonging too plays a role within this narrative as each character struggles to understand how they fit in with the rest of Gangsey, how they see themselves and how they are seen in turn, as well as questioning the kind of future that awaits them.
Ronan doesn’t get a POV in this one so we are not always privy to what’s going on with him but he nevertheless remains my fave character. Still an asshole a lot of the time but at the same time he’s so much more than that.

Stiefvater’s characters can be chaotic and contradictory and more than capable of behaving or saying things that aren’t great. But, the fact that Stiefvater portrays her teens, and adults even, as not being entirely vanilla or wholly unproblematic made them all the more real to me. If anything, it is because they are flawed that they end up having such complex, believable, and satisfying character arcs (at times they grow or learn from their mistakes…other times they don’t). I like that Stiefvater both allows her characters to have imperfections and that she does call them out (my fave esp.).
When it comes to her prose…what can I saw that I haven’t already said in my other reviews for her works? She’s a true wordsmith, capable of making me laugh out loud and move me. There are so many clever lines, the dialogues are always on point, and her vibrant descriptions (be it about Henrietta or nature or the appearance of a character) add to her story’s already rich atmosphere.
I loved re-reading Blue Lily, Lily Blue. I can appreciate even more just how intricate a puzzle Stiefvater has created and yet I also love that much of what happens, as well as the characters themselves, retain a certain ambiguity (that makes me want to read it over and over again). My gushing is over. If you haven’t read TRC and you happen to be a fan of authors such as Neil Gaiman, Diana Wynne Jones, and/or Zen Cho, you should probably add this series to your TBR pile.

my rating: ★★★★★

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The Dream Thieves by Maggie Stiefvater

“Creature was a good word for him, Ronan thought. What the hell am I?”

Every time I read this I am

blown

away.

This novel, I swear, is something else.

The Dream Thieves is pure adrenaline. Ronan Lynch is my favourite asshole, which is probably why The Dream Thieves is my favourite book in The Raven Cycle series (and one of my favourite books period). Ronan is such a complex character. On the surface he has this ‘I don’t give a shit’ attitude that often results in him saying or doing rude and or reckless stuff. He’s addicted to trouble and makes no compunction about saying what’s on his mind. In The Raven Boys we don’t get his pov so this novel provides us with our first glimpses of his inner workings. His ability of course is very much a central part of who he is and I love how ‘dreaming’ works in TRC.
I love the shifting dynamics and knowing looks that take place between the various members of the Glendower gang. I also really appreciate how Stiefvater never reveals too much about her characters or their motivations/feelings. She hints at things but always leaves room for ambiguity, and I love her for it. The friendships between the various characters are intense and as complicated as the characters themselves. The fracturing that occurs between Adam and Gansey always gets to me, especially as Stiefvater makes it so that neither boy is exactly to blame.
There are a lot of car chases, many dreamed things, a surprisingly endearing hit man, and so much yearning. The phone calls between Blue and Gansey always succeed in giving me the feels. And don’t even get me started on Ronan and his longing for a certain someone.
Stiefvater’s writing is as phenomenal as always. The rhythm created by her prose always brings to mind that of a fairy tale (there is repetition, names are important).
To say this novel makes for an absorbing is an understatement. Every time I’ve read it I manage to inhale it in the arc of 24 hours. Ronan is my favourite fictional character and this novel is in many ways just like him.

P.S. I’m not a car person, I don’t drive, I know nil about cars…but damn, every time I read this book (or think about this book) I find myself agreeing with Ronan: cars are sexy.

MY RATING: ★★★★★ 5 stars
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The Raven Boys by Maggie Stiefvater

Re-reading The Raven Boys after having had my heart obliterated by Mister Impossible, well, it made me rather emotional. It’s almost ridiculous just how much I love this series and this first instalment. Reading it for the third time makes me all the more aware of just how talented a storyteller Maggie Stiefvater is. She’s a wordsmith and I will be forever in awe of her work.

The opening chapter may give you the impression that this is yet another YA romance novel about a cursed girl doomed to kill her true love….but it’s anything but. Stiefvater playfully pokes fun at Blue, one of our lead characters and the girl in question. She points out early on that she makes an effort to look quirky and weird and that she wants to be special and interesting…which is understandable given that she was right in an eccentric all-female household of fortune-tellers. Blue becomes entangled with a group of ‘raven boys’, who attended a private school and except for Adam, are loaded. One of them, Gansey, is on a quest to find a sleeping Welsh king that may be buried in their little town of Henrietta. The narrative switches between Blue, Gansey, and Adam’s perspectives, with the occasional chapter from someone who may pose a threat to our ‘Gangsey’.
There are tarot readings, visions, magical forests, Welsh mythology, ghosts, and plenty of magic. The setting of Henrietta is vivid and is central to the narrative’s ongoing mysteries and happenings, and the academia vibes and commentary on class and privilege add even more depth to the story and characters.

The dynamic between the characters is one of the most engrossing aspects of this novel. Rather than presenting her readers with ‘heroes and heroines’, paragons of beauty and virtue, Stiefvater’s characters, regardless of their role, are nuanced and messy. The raven boys and Blue can be insecure about themselves, each other, and their future. Their friendship is an intense one, and things are never easy between them. They frequently piss each other off (Ronan, my boy, excels at that), or, in trying to do ‘good’, end up hurting the other person (Gansey). While they each have their distinctive personality, Stiefvater never reveals too much about her characters, so that they always retain a certain ambiguity, an enticing air of mystery. Depending on what character we are following, well, we are getting their ‘view’ of things and other people so things tend to be skewed. This unreliability adds to the already intriguing mystery and makes the characters and their relationship to each other puzzles of sorts. We have Blue and Gansey, both of whom are full of want. Blue works really hard at appearing as this quirky ‘weirdo’ but in reality, much to her own annoyance, she’s an incredibly sensible person. Gansey is acting most of the time. Or at least, he plays the golden boy ‘Gansey’ that people seem to like, so he’s polite and charming, always keeping up this good front when all the while he’s just bottling up so many emotions. Adam, my unknowable boy, is painfully aware of his differences. He hates the idea of owing favours to anyone and resents Gansey and other raven boys for how blind they are to their own wealth. Meanwhile, he works three part-time jobs and lives in an abusive household. Ronan, my number one boy, is a dickhead. I love how mysterious his character is here. We don’t get his pov so we don’t really know what is going on with him but he has some of the best lines (and gets called out for behaving like a shit). Noah, the smudgy one, he’s…you know. My heart goes out to him. I adore his bond with Blue.

Stiefvater is a marvellous storyteller and her style carries a wonderful rhythm. I love the way she plays around with repetition and the way she describes her characters or how animated her scenes are (there are so many secret looks shared between the raven boys). She can be playful, giving us hints to later reveals or events, clever, in her word choices, dialogues, and descriptions, and endearingly funny.
The Raven Boys is an incredibly atmospheric book that will always have a special place in my heart. And while I have attempted to review this, words cannot truly express how much I love this series. Returning to this world and these characters, well, it feels like a homecoming.

MY RATING: ★★★★★ 5 stars
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Call Down the Hawk by Maggie Stiefvater — book review

Okay, I loved it even more this second time around.

This book is full of Stiefvaterisms (in the best possible way).

“This is going to be a story about the Lynch brothers.”

The very first line of Call Dawn the Hawk echoes that of a fairy tale and Maggie Stiefvater demonstrates just how impressive a storyteller she is throughout the course of her novel. There are many elements of her writing style that seem to mirror those of a fairy tale: she employs repetition and recurring motifs, ‘truth’ and ‘naming’ shape both the narrative and the characters, the words and images she uses have a certain significance. Stiefvater pays incredible attention to word she uses and to the way that certain phrases sound. Her use of repetition also gives a unique rhythm to her story. Yet her style doesn’t solely emulate that of a traditional fairy tale as she injects her prose with a good dose of modern aesthetics.

“This was stupid. Ronan was no hero, but he knew fucking right from fucking wrong.”

Call Dawn the Hawk stars one of my all time favourite ‘fictional’ characters: Ronan Lynch. Although he has somewhat ‘calmed’ down, most of what he feels and does is still undeniably Ronan-ish. It was tough seeing him struggle so much: he feels left behind by Adam (who is in college) and Gansey (who has taken a year off and is travelling alongside Blue). The ‘nighwash’ limits his movements, so much so that spending a night outside of the Barns can have quite destructive results.

“Ronan, with his dangerous dreams, sleeping some-place other than the Barns or Declan’s town house? Dubious. Moving someplace other than the Barns or Declan’s town house? Never.”

Stiefvater does a brilliant job in fleshing out Declan’s character. He had a rather limited role in The Raven Cycle so it was refreshing to see more of what goes on underneath his deceptively ‘bland’ exterior.

“He just didn’t think. For one second of one minute of the day, he didn’t run the probabilities and worst-case scenarios and possibilities and consequences. For one second of one minute of the day, he just let himself feel.”

I always liked Matthew’s character in the previous books. His innocence and happy-go-lucky attitude make a change from the other characters’ (especially his older brothers) more angsty personal arcs. It would be lovely to see him getting his own chapters in the next instalment of this series.
Scenes featuring the Lynch brothers are guaranteed to entertain. Their relationship is definitely…complicated…but also utterly compelling. Declan and Ronan clash so often but it is clear that they deeply care for one another (even if they have no idea how to expresses their love).
Surprisingly less complicated is Ronan’s relationship with Adam. It’s definitely not all roses and sunshine but we could definitely see how strong and mature their bond has become.

“They hugged, hard. It was shocking to hold him. The truth of him was right there beneath Ronan’s hands, and it still seemed impossible. He smelled like the leather of the thrift store jacket and the woodsmoke he’d ridden through to get here. Things had been the same for so long, and now everything was different, and it was harder to keep up than Ronan had thought.”

Stiefvater also does a great job in introducing us to new characters. It took me a while to warm up to them (this is partly due to the ambiguousness which surrounds them) but I soon became fond of them. Jordan and Hennessy are wonderful addition to this series. They each have their own distinctive personality and their bond was surprisingly complex. Jordan interacts in particular with Declan and I was surprised by how much I liked their banter. Hennessy and Ronan instead share the same mercurial personality so it was equally interesting to see them interact with one another.
The first time I read this Carmen Farooq-Lane’s chapters weren’t my favourite ones, but, upon a second reading I found myself really loving them.

“This was, she told herself, the business of the end of the world.”

Although at its bare bones the plot is rather formulaic (we have chapters following each individual character until slowly their paths converge) Stiefvater shakes this classic storyline up (people with powers + a mysterious government agency that wants to eradicate them + possibly the end of the world). She gives us some incredible sequences, brilliant dialogues, confusing dreamfuckery, the mysterious ‘Bryce’, and, of course, a cast of unforgettable characters.

Stiefvater has really honed her writing style. I loved the way she often mythicises her characters, so that they almost appear as if they are the protagonist of some myth or ballad. I also found the recurring imagery and symbols within this novel to be incredibly effective. They created a unique atmosphere and worked well with the rhythm of her language.
Stiefvater also portrays different types of faith with great realism. Learning of the various character’s beliefs, convictions, and general outlooks made them all the more believable. Interspersed throughout the narrative there are many compelling discussions and observations regarding art (from painting techniques to the lives or works of certain artists).
The pacing of this novel is pretty furious. Lots of things happen, each chapter furthers the plot (characters come across someone or certain information that contributes to their overall storyline).
The first time I read this I gave it 4.5 stars but upon a second reading I found myself 100% invested in everything that was happening. I loved it.
I thoroughly enjoyed reading this novel. I felt ‘emotionally’ involved and I found myself simultaneously wanting to read it all in one gulp and also never wanting it to end.

my rating: ★★★★★

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