“They dare not follow, thought Vasya. They fear the forest after dark. And then, darkly: They are wise.”
The Bear and The Nightingale is an enchanting tale imbued with Russian folklore and traditions. Arden has crafted a story that abounds with fantastical creatures and mystical prophecies that will entice the reader from the very first pages:
“In Russian, Frost was called Morozko, the demon of winter. But long ago, the people called him Karachun, the death-god. Under that name, he was king of black midwinter who came for bad children and froze them in night. It was an ill-omened word, and unlucky to speak it while he still held the land in his grip.”
Set in a vividly rendered feudal Russia, The Bear and The Nightingale follows Vasilisa Petrovna the youngest child of a wealthy boyar, Pyotr Vladimirovich, in the north of Russia, who is predestined to be the heir of old magic. Vasilisa, who can see the spirits and creatures that crowd her house and neighbouring forest, grows into an untamed and fierce child feared by the villagers and loathed by her step-mother Anna, who is also able to see magical beings. Unlike her step-daughter, however, Anna fears these creatures and it is her religious zeal that will bring a new priest into the Vladimirovich household, Father Konstantin, who sees it as his duty to eradicate the locals paganistic customs. The strain generated by the clash of these diverse beliefs soon spirals out of control forcing Vasilisa into action.
Arden has created an endearing protagonist: Vasilisa’s resilience and bravery are shown throughout the novel. She will fight for her own freedom and to protect the ones around her. There is a focus on her struggle against the restrictions given by her gender, as well as, on the tension between duty and choice. Her relationship with her family is another vital aspect of her story, especially the bond she shares with her older brother Alyosha and her younger half-sister Irina. Arden depicts a realistic family portrait which sees a well-meaning father, a brusque yet kind grandmotherly nurse and a few protective older brothers who like teasing each other.
These interesting and relatable characters feature in a tangible medieval setting that is enriched by Arden’s graceful descriptions. Her expressive and poetical rendition of an unforgiving yet tantalizing landscape bring into being an incredibly atmospheric tale. Her lyrical prose and beautiful allegories, such as “the years slipped by like leaves,” and “the clouds lay like wet wool above trees”, are in resonance with her richly evocative world. The author has painted an immersive and magical tale redolent of old lore and populated by poignant characters. The Bear and The Nightingale is a lavishly written and alluring fairytale that entwines traditional motifs of the genre with an original and fascinating storyline.
I would definitely recommend this to fans of The Night Circus or The Golem and the Jinni which also combine accurate historical setting with the otherworldly. Or if you particularly enjoy fairy-tale-esque stories I would suggest writers such as Catherynne M. Valente – author of Deathless and The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making – and Kate Forsyth. The clash between pagan traditions and non reminded me of The Witches of New York.
My rating: 5 of 5 stars