“Every day in this new city I was trying to live in the purity of the present, free from context. Contexts, I knew, were dangerous: Once you put them into the picture, they took over.”
As with her latest novel New People, Symptomatic presents its readers with a claustrophobic and disquieting narrative that becomes increasingly surreal. Both novels are set in the 90s in New York and follow light-skinned biracial women whose white-passing often results in them feeling on the outside of both the white and Black communities. Senna’s razor-sharp commentary on race in America holds no punches as time and again she identifies and dissects everyday slights, aggressions, and hypocrisies. Symptomatic is narrated by an unnamed young woman in her twenties who is interning as a journalist. As she ‘passes’ as white she begins to feel alienated, a feeling that is exacerbated when she witnesses her white boyfriend—who believes she is Hispanic—guffawing at a friend’s racist impersonation. Our narrator is not close to her parents, each of who has embarked on a mystical or religious journey—nor her surfer brother. Senna portrays her feeling of aloneness with incisive precision. The main character feels so severed from her surroundings that she often feels or sees rather disquieting things that may or may not be there. The imagery Senna provides is unpleasant, unsettling, and even grotesque: a “raw chicken wing” lying in the gutter is the narrator’s eyes, however momentarily, a “pink fetus”, a “steak fry” transforms in a “severed finger”, a woman’s “pregnant belly” pokes out “like a tumor”.
A colleague of the protagonist helps her in her hour of need. After breaking up with her boyfriend the narrator needs a new place and this colleague, Greta, hooks her up with an apartment that has been temporarily vacated by its actual rentee. The narrator and Greta become close as they both happen to be light-skinned biracial women. In spite of their age gap, Greta is in her forties, they feel united by their experiences (of others assuming they are white, of being told they are not really Black, of being seen as ‘neither here nor there’). Their thoughts and feelings on race, on white and Black people, can be vicious, full of vitriol, and give us an understanding of them (of the way they have been treated or made to feel). Time and again the narrator is told that there is something about the way she looks, there is an “unsettling” “dissonance” to her that makes others feel uneasy, unable to place her.
As the two women spend more time together it becomes clear to the narrator that Greta is a deeply disturbed and perturbing person. When Greta’s obsession with her forces the narrator to cut ties with her, she soon discovers that the older woman is not willing to let go so easily.
“I felt ill. My symptoms were mild and vague. They roamed my body, like tinkers searching for new temporary homes where they could not be caught.”
Senna’s prose is as always terrific. I was hypnotized by her words, however uneasy they made me feel. Her commentary on race and contemporary culture is both illuminating and provocative, and, weirdly enough, I also appreciate the cynicism of her novels. The world she presents us with is ugly and so are the people inhabiting it. The oppressive atmosphere of her narratives is made all the more stultifying by the perturbing direction of her storylines. Simple interactions between characters are anything but simple as they are often underlined by a sense of anxiety.
Alas, Senna does have an Achille’s heel and that is the final act of her novels. Here there is a reveal which I definitely did not buy into, if anything, it made this one character seem less fleshed out than they were. The character’s spiraling into alienation is halted by witnessing someone who has already embarked on this path of self-destruction. The final confrontation also, as noted by other reviewers on GR, was a bit too reminiscent of Passing. As with New People the ending had a touch of bathos that made me reconsider the novel on the whole.
Still, in spite of this, I do love Senna’s writing. Her prose is mesmerizing and the content of her stories is both disquieting and eye-opening. If you like authors such as Ottessa Moshfegh you should definitely try reading something by Senna.
re-read: a truly disturbing piece of fiction. The mysterious shadows and symptoms haunting our protagonist are truly disturbing.
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