“Names have power. This is the fundamental principle of magic everywhere. Call out the name of a supernatural being, and you will have its instant and undivided attention in the same way that your lost toddler will have yours the second it calls your name.”
First published in 2000 Monkey Beach is a deeply evocative and multilayered coming of age. Monkey Beach transports its readers to Northwest British Columbia, to Kitamaat, home to the Haisla people. After her younger brother Jimmy goes missing during a fishing expedition, twenty-year-old Lisamarie Hill is overwhelmed by grief. As she makes her way to the place he was last seen, Lisa looks back to her childhood and teenage years. Lisa recollections ring incredibly true to life. The author captures the way children think and speak, celebrating moments of silliness and happiness that occur between siblings and childhood friends. While there are many moments of lightness in Lisa’s childhood, the author doesn’t shy away from portraying the many injustices and struggles experienced by indigenous people. Lisa’s relationships with her family members—in particular, her loving uncle Mick and her resilient Ma-ma-oo—are as powerful as they are moving.
As a child, Lisa is very much a ‘tomboy’. She doesn’t back down from a fight, has a bit of a temper, enjoys getting into scrapes that frequently land her into trouble. Her uncle is her biggest fan and their interactions are simply a joy to read. I also liked that although Lisa does exhibit some of those ‘Not Like Other Girls’ traits, the narrative ultimately subverts this, introducing us to multiple tough girls and by not dismissing those girls Lisa had a falling out with.
The author depicts the realities of growing up indigenous and female, emphasizing the importance of family ties, however knotty these may be, and Haisla beliefs and customs. The narrative also delves into magical realism territories as throughout her youth Lisa is visited by a strange if ominous figure. Lisa’s premonitions and her ability to see ghosts are a terrible weight as she is often unable to stop tragedies from unfolding.
This novel has easily some of the most realistic dialogues and interactions that I have ever come across in a book. The setting is as vividly rendered as the characters, and there are many stunning descriptions of the landscapes surrounding Lisa.
While I wouldn’t necessarily recommend this to lovers of plot or fast-moving narratives, Monkey Beach will definitely resonate with those readers who are looking for a nuanced family portrait. I truly appreciated that while the author manages to convey with crystal-clear clarity Lisa’s childhood, some things in her story retain a sense of ambiguity.
While the first half of this novel is brimming with more light-hearted moments, the latter half is heartbreaking and unexpectedly dark. Lisa’s voice and character arc were truly compelling and I found myself not wanting to reach the end (as that would mean saying goodbye to her).
I came across an interview in which Emily St. John Mandel says that Monkey Read is her favourite book to re-read, and I actually think that this novel would indeed appeal to fans of Mandel (the remote & atmospheric setting, the magical realism). Readers who enjoyed Hannah Tinti’s The Twelve Lives of Samuel Hawley should also consider giving Monkey Beach a shot as the two share a similar ‘feel’.
Monkey Beach was a truly absorbing read, one that I am already looking forward to reading again.
my rating: ★★★★☆
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